What if...

What if there was a creator god who existed outside of his creation of time and space and matter, the whole universe, including this one planet we call earth.  What if this god, who I will call "Artist," designed creatures to inhabit this earth and put a unique pattern of himself in them, giving them the desire and satisfaction in making things as well? And the little artists could see and respond to clues and evidences of Artists's handiwork all around them? What if some of them were compelled to adore Artist, whom they had never seen or spoken to but somehow knew him by the evidence of the beauty and order of all the created things around them?

What if he really loved his little artists and wanted to communicate his love and desires to them directly? Being outside his creation of time and space and matter and they just tiny finite beings, he sent them tools to use, tools perfectly designed to help them better understand their creator and their fellow beings as well as to make beautiful things? But what if some of the little artists, selfish and greedy for more creative power than Artist, became destructive instead of creative?  Even though the tools were perfect, they misused them or in frustration just tossed them aside, preferring their own tools and methods?

But what if Artist, in his great love, began to send messages to them through special individual artists who could translate and communicate his intentions? Through these messengers, he critiqued their work, giving praise and correction. What if some artists received the messages with gladness but others rejected them outright, their works becoming dark and destructive and disturbing?

What if, in due time, Artist make an appearance among his creatures, limiting his power and becoming, for a short time, a little artist?  What if, while he was among them, he demonstrated perfectly how to use his tools to create beauty and harmony and order and peace? Would you think the little artists would be thrilled to have, as their very own teacher, THE teacher, the ARTIST, to help them make sense of their design, the Creator of all creators? Some fell in love with him and practiced his techniques and methods, using his tools  and sharing the good news all around. Others, however, did not! They resented his instructions and didn't believe he was the Artist come among them no matter how great were the works he demonstrated.

What if these disbelieving artists started talking about Artist to the established art schools and universities, saying that he was teaching improper or contrary methods, even claiming to be the creator of all creators, the Artist of all artists? What if these schools started to talk among themselves, seeking how they could censure him, silence him, forbid him to teach?  What if Artist disregarded their admonishments, knowing that their motives were only to preserve their institutions and self importance?

What if the established artists and institutions became furious at Artist and sought how they might have him arrested?  What if they paid people to swear falsely about him?  Little artists who had never even tried to make one good thing swore that he was doing it all wrong, leading them astray, teaching them to use the wrong tools! What if they did arrest him? In fear, his friends and followers ran away, leaving only the angry mob to testify. Somehow the trial got out of hand and Artist was sentenced to death,  And they killed him.

What if  Artist had known all along that this would happen? What if he loved his little artists so much that he was willing to go through it all with them so that they could know him and understand him and his techniques?  But, what if, being the Artist Creator who created time and space and matter and earth and all the little artists, couldn't stay dead, but came back to life? What if he did just that, and walked around, talked to his friends and followers, ate with them and taught them again for many days until it was time for him to go back to wherever it was that he existed outside of time and space and matter?  What if he told them that he was going away, but that he would come back again sometime in the unknowable future? And that he would send another messenger to help them remember his tools and teachings, to create many more good things and to share them with everyone they know?  What if this messenger was not like the earlier ones, who were only little artists, but actually another part of Artist that he would send in his place to always be there with them?

What if the rest of the story hasn't been written yet?  What if the believing artists are still creating good things, trying to use the tools well with the help of the Messenger? What if the disbelieving artists are still selfish and greedy and still trying to make up their own tools and techniques and only creating disharmony and destruction?  What if the Creator Artist is planning on that day when he returns to earth to make everything beautiful again, to make his artists great and to restore his creation to its original perfection and beauty?

What if this were all absolutely true, what kind of artist should you be?

Poppa at 90

Poppa made it to 90.  For weeks leading up to his birthday, he often seemed anxious about the date and when I asked him why, he replied that he didn't want to miss his birthday! My sister, Kacy, flew in late Thursday night and surprised him by waking him up the next morning. He was a little confused but when she told him she had come to celebrate his birthday with him, he was pleased. Poppa seemed to feel well and was mentally in the moment most of the time, slipping into fuzziness now and then, as was his custom.

Because Kacy had to leave on his actual birthday, Sunday, August 5, we planned his party for Saturday. Not wanting to buy gifts for the man who had at least one of everything, we bought a half-dozen silly musical cards, streamers, balloons, confetti, party beads and a helium fish balloon as well as party plates and napkins. We comisioned two dozen gourmet cupcakes from a friend and Tim cooked Pop's favorite dinner of corned beef and cabbage.

The meal was festive and Poppa ate a lot of everything.  Afterwards, we gave him the cards to open.  He couldn't actually hear the silly songs in the cards so he missed the humor but he smiled graciously.  Everyone was later shooed into the living room while we tidied up and got the cupcakes ready by placing a couple dozen skinny party candles in them and setting them ablaze. Poppa's face was alight with joy as well as from the candle glow.  It was a precious time.  I think we watched a movie but Pop tired early and went to bed.

The next day, Sunday, he slept all morning, as he had been doing more and more often. When I told him that Kacy was going to be leaving soon he finally got up and sat in his chair.  Kacy hugged him and cried, Pop telling her how much it meant that she had come for his special day.  We drove her to the airport and sent her on her way, knowing that she would most likely never see Pop again.

Poppa fell back to sleep in his chair.  It was later in the day when he finally woke up enough to receive his birthday phone calls.  I overheard him saying something to my brother, Bud, like, "Oh, I guess I'm 91. I don't know where the time has gone...."  I think he was confused that Bud was wishing him a happy birthday again, and he figured a year must have slipped by somehow.

The week following his birthday Poppa passed in and out of dementia.  One day he would sleep, the next he would seem fine.  His pain didn't seem to be unmanageable.  He would be better by bedtime and would invariable ask me what adventures lay before us the next day.  After Friday, though, he never really came back into the present.  He became increasingly confused.  Even though he still knew us, he couldn't reconcile that he was in his own home.  His thought we were in a hotel and it concerned him that all of the "people out there" needed looking after and he couldn't decide what needed to be done about it.

His last week was not an easy one.  He lost contact with reality and became fretful.  Finally he deteriorated to the point where he was upset and angry that someone had placed all of his things "here."  But he was adamant that it was not his home and that made him very unhappy.  By the following Thursday he was slipping into total dementia and needed round the clock care.  Thinking that this was the way things were going to be for some time to come, we hired Angels on Duty to fill in the hours between 11 PM and 7 AM and also on Saturday to help with bathing and his personal needs. The hospital bed was installed on Friday.  About the only thing that would wake him was the urge to go to the toilet but by Saturday he was too weak, even with assistance, to make it into the bathroom. The visiting nurse and I cleaned and changed Pop around 11:30 PM and I left her with instructions to call me if there were any changes, no matter what the time.

Sunday morning I tossed and turned from two o'clock onward.  I finally woke up enough around six to realize that I needed to get up and check on Dad.  When I got in the room his breath had deteriorated into a rattle and I was so shocked that the "nurse" hadn't realized that it was a sign of impending death.  I woke Tim and Ben immediately and called hospice. The on-call nurse came until our nurse, Anita, arrived. I called Cara in Springfield and she drove down as quickly as possible.

I spent most of the day on vigil by the bedside, holding Poppa's hand and cooing to him, telling him it was okay to leave us, that we would be fine.  People passed mugs of steaming coffee to me and hugged my shoulders but, except for a few moments, I don't think I left the room.  Poppa passed away early in the afternoon. I cried, selfishly in my grief, "what will I do with myself now?" because caring for my father had become my full-time employment, my sole focus in life.

He was so much more ill than we had known.  The cancer had gone crazy in his body and done terrible damage in just a very short time.  Had he known or was it God's mercy that he had increasing dementia so that he wouldn't understand?   We will never know.  The end came so amazingly quickly.  Just when I was feeling like this part of my life was interminable, he was gone.  And right up until almost the very end he was still wanting to go out for some adventures, he and I, shopping, going to lunch, messing around.

Thank you, God, for the opportunity to serve my dad.  Thanks for the time to get to know him in this special way, to love on him and spoil him.  And I am grateful for every day that I had to call upon Your strength to get through it because it has made me stronger.  Nothing else would have stretched me to such a degree that I, coming to the end of myself ten times an hour, would gasp and grasp the hand that sustained me.  So that when all was said and done, I'd know that it was He in me and not myself that gets the glory. But Poppa made it to 90.

The Caregiver

I found it in the kitchen drawer. Cryptic notes on a page from a tiny tablet, dates, times, and amounts of liquid morphine and the other medicines I had given Mom her last few days of life. I'd had to write it down to keep it straight in my mind.  July 24, July 25,  right up to 11 AM on 26th, the last time I gave Mom her meds.  She opened her eyes and her tiny little breaths, short and gasping, ceased.  She quietly passed from this world at 12:06 PM.  I am unwilling to part with this little piece of paper.  It means something but I don't yet know what it signifies.

By placing myself here, at the keyboard, I'm feeling a heavy weight bearing down on me.  I don't want to write, haven't written since February.  I have been telling myself to channel my grief and sadness into my paintings, into the non-verbal discourse of art.  But that's not happening.  I'm sort of stuck, plugged up, corked (I think they call this "denial.")  I'm wondering if I've even begun to grieve.

Sadness and grief are partners but they are not the same.  I am sad, most certainly.  But there are feelings buried inside that I don't even begin to want to explore. Perhaps it's like returning from a trip or retreat or "mountaintop" experience; not wanting to talk about it too much for fear the telling of it is remembered more than the experience itself.  Are these memories too precious to be spoken of or too painful to admit?

Maybe I should begin by telling you that I was my mother's caregiver.  What a dignified title, "caregiver."  I didn't seek it but I  accepted it and I think I eventually learned to do it well.  Finally.  In the last few days of my mother's life.

I had really hoped that when Mom and Dad moved in with us they would be able to enjoy life in Saint Charles.  I dreamed of Mom and me going shopping and enjoying painting together.  I hoped Pop could walk up and down Main Street, smoking his cigars and flirting with the shopkeepers.  But by the time we convinced them to move in with us, Pop was recovering from triple by-pass and gallbladder surgeries and Mom's leukemia and congestive heart were advanced.  She was already dying, had been dying, by inches for a very long time and we just couldn't see it.  That sounds paradoxical because we had thought she was dying, expecting it for years but she had this amazing knack of recovery.  Total rebound that made us question each episode that preceded it.  Now, looking through the lens of the last few months, I see it all much clearer.

It didn't happen the way I'd hoped.  Mom lived here pretty much the same way as she had before coming, mostly in the bedroom and sleeping much of the time. We did a couple of shopping trips, a few lunches out, and maybe one or two times in the studio.  She expressed much regret and a lot of desire but never had the physical or mental energy to get out and do things.  But the one thing that I regret the most is that Mom was disappointed in our relationship.

Mom had anticipated life here as an extended vacation, much like the times that I had spent with her in their home in Alabama when we came to visit.  At the time they moved in with us, Tim and I were still teaching classes two-three nights a week and had a studio and gallery to run.  Even if I had had nothing to do, I still wouldn't have wanted to sit beside her bed all day long, to the exclusion of all else, drinking coffee endlessly and waiting on her needs (this was pretty much how my visits to Alabama went.)  But not only that, we found ourselves butting heads over almost everything, especially the dispensing of drugs.  And as the caregiver, I took that business very seriously.

If it was a matter of giving something other than the doctors had prescribed, I could not be swayed. My mother met her match in me.  Mom, who had spent her entire life governing herself and making up her own mind about which drugs to take and how much and when, now had a daughter telling her what she could and couldn't have.  We argued about this and other things, and Mom lamented that I was not the "Chrissy Jane" she thought I was and that even though she was so thankful to have my care and to be living with me, it was not what she had anticipated.

Now for my moment of self-justification:  even when I did take the time to sit with Momma, she would pick up a magazine or watch tv or most often, take a nap.  I would slip away and return to whatever I had been doing.  I thought that between mealtimes and coffee times and bedtime snuggles we had shared a lot of times but Mom said she thought it would have been better if she had stayed home.  At least, she thought, the boys checked in on her now and then.  No matter Dad was in his chair just outside the bedroom door.  No matter that she had been desperately lonely on the farm before she came.  No matter that we were living together, not visiting a few brief days a year.

She was dying and needed lots of love and reassurance.  Because I was suffering from caregiver fatigue, and because she'd rallied so many times that neither I nor any one else believed she was ever going to really die, and mostly because it happened so gradually that I didn't believe the evidence before my eyes, I withheld the last bit of energy and love that I could have given.  Until she was really and truly dying, and then I gave her my all.        

Brush Strokes

The view from the kitchen window is a canopy of fragile autumn light. The redbud closest to the house is a deep vibrant yellow. The leaves of the ash are yellow underneath but garnet on top. The red maple that towers over both is in transition from deepest green to fiery red. I looked out yesterday as the wind ripped away a hundred ash leaves and tossed them to the sky. I wanted to cry out at the wastefulness, to slow down the destruction, so that I might savor it at my leisure. It's as if some marvelous painter, after a frenzy of beautiful bravura brush strokes, threw down his brush and tore the canvas to shreds and let the wind carry it all away. Nature says, I've done my work for the season, I've adorned my trees in their finest, for my own glory, and now I am tired and will take my rest.

I have never comprehended the radiance that emanates from the dying leaves. It appears not to be reflected light but generated from within. Particularly on a cloudy day, each leaf shines brilliantly as if a tiny solar system cycled around it, irradiated by its golden glow. I do not want to let it pass without celebration, this fleeting moment between autumn and winter, seconds before the wind ravishes the leaves and tosses them carelessly to the sky. I want to hold onto the leaves, pressing them into my mind, painting them with thick chiaroscuro strokes of pure pigment. If I turn my head, if I look away in busiedness, I may miss it, this dying of a million suns.

Nothing is wasted by the loss of leaves, but rather they are speedily dispatched to be shared by the ecosystem of which they are an integral part. I know all about the leaves turning to sugar and falling to the ground to be used as compost to nourish the soil. I'm a gardener, after all, and comprehend the overall genius of the master plan. But nothing makes me more sentimental.

I do not willingly allow the past to be flung away in gusts of time. I yearn for past autumns when my children walked down the street carpeted with leaves, backpacks flung over a shoulder, books curled in an arm. The light is suspended in tiny fluttering suns above them, around them, and below. Yet in my memory they are always walking away from me, always going towards some thing, some where, some one else. It is a selfish longing, to hold onto leaves, children, the past. They go the way they are meant to by the master gardener. Only in trying to grasp the present do we lose it. Let them be swept up into the azure sky, trusting that they will flutter down gently to be used mightily in another time and place.

Hide and Seek

From our earliest cries of hunger or distress, we long for, need to be found. From infancy we demand to be important to someone outside of ourselves. This response nourishes our spirits and enables us to grown into fully human beings that can respond to others. We need affirmation that we matter, not just cosmically, but personally, interpersonally. The lack of this confirmation creates fear and phobia and insecurity and antisocial behavior.

A baby panics when mommy leaves him at the nursery. A toddler wines and wheedles and demands his own way. A child needs to be tucked-in repeatedly. A teenager wears outrageous or inappropriate clothing. An adult flirts with sex or drinks herself to "significance." We just need someone to find us and know us. We need to be fully acknowledged and deemed worthy.

In the movie, "The Diving Bell and the Butterfly," the son shaves his almost-invalid father who is confined to a fourth floor apartment. The father questions him about his life, his choices, his career. He slowly and carefully scrapes off the bristly whiskers. When he is done with the shave, the son tweaks his father's nose, ruffles his hair and hugs him. The voice-over says to the viewer, "I think we will always be children." Don't we find that to be true, no matter how old we are?

Why do we then play peek-a-boo? Why are we always testing the limits of love? If life isn't a game, why do we play as if it is? We like to play hide and seek because we know that there is a certain outcome, a predicatability that we count on. I call, "Marco." You reply, "Polo." I hold my breath and swim towards you and find you. You call "time out" and we all come back to "base." There is security in that. In relationships there needs to be an "olly, olly, oxen free." Come out, come out, wherever you are! If I can't find you, then at least we need to start again at home base.

Whose turn is it, anyway?